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・ Memorial (Moonspell album)
・ Memorial (Nyman)
・ Memorial (Russian Circles album)
・ Memorial (society)
・ Memorial (The Vampire Diaries)
・ Memorial Acclamation
・ Memorial Address
・ Memorial Album
・ Memorial Album (Hank Williams LP)
・ Memorial Album (LP)
・ Memorial and Information Point for the Victims of National Socialist Euthanasia Killings
・ Memorial Arch (Huntington, West Virginia)
・ Memorial Arch of Tilton
・ Memorial Argo Manfredini
・ Memorial Armando Picchi
Memorial Art Gallery
・ Memorial Artemio Franchi
・ Memorial Athletic and Convocation Center
・ Memorial Auditorium
・ Memorial Auditorium (Louisville, Kentucky)
・ Memorial Auditorium (Moorhead, Minnesota)
・ Memorial Beach
・ Memorial Beach Tour
・ Memorial bench
・ Memorial Bend, Houston
・ Memorial bracelet
・ Memorial Branch
・ Memorial Bridge
・ Memorial Bridge (Augusta, Maine)
・ Memorial Bridge (Connellsville)


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Memorial Art Gallery : ウィキペディア英語版
Memorial Art Gallery

The Memorial Art Gallery is the civic art museum of Rochester, New York. Founded in 1913, it is part of the University of Rochester and occupies the southern half of the University's former Prince Street campus. It is the focal point of fine arts activity in the region and hosts the biennial Rochester-Finger Lakes Exhibition and the annual Clothesline Festival.
==History==

The Gallery is a memorial to James George Averell, a grandson of Hiram Sibley. After Averell died at age 26, his mother, Emily S. Watson (by then the wife of James Sibley Watson), spent several years seeking a way to publicly commemorate him. Meanwhile, Rush Rhees, president of the University of Rochester, had been looking for benefactors to help him add to the University's campus, then located on Prince Street in the City of Rochester. Hiram Sibley had some 30 years previous funded the construction of the University's library which displayed part of Sibley's art collection on its upper floor for a time, but Rhees wanted to construct a dedicated art gallery. The Rochester Art Club, which was the focal point for art enthusiasts of the area and which had exhibited and taught at art venues of the time (Reynolds Arcade, the Bevier Memorial Building, and the Powers Block) supported the creation of the gallery. Rhees assembled a board of managers, including the Art Club's president, George L. Herdle, in November 1912 and by the eighth of the following October, presided over the Gallery's opening. The inaugural exhibition consisted of paintings from dealers for sale, with the Gallery taking a 10% commission. The most wealthy families immediately gifted their purchases to the gallery to start its permanent collection.
Exhibits in the early years of the Gallery consisted of loans from the private collections of George Eastman, the Sibleys, the Watsons, and other prominent Rochester families. Herdle labored mightily to keep the Gallery's walls filled with new works until his untimely death in 1922 at which point his daughter and University of Rochester graduate, (Gertrude L. Herdle ) began what would become a 40-year career as the museum's director. Another daughter, Isabel C. Herdle, served in various curatorial roles beginning in 1932 after schooling at Radcliffe College, the Courtauld Institute of Art, and the Royal Institute of Technology in Stockholm and stints at the Fogg and the de Young museums.

In all of its years of operation, the Gallery has endured only two thefts: During a 1927 Buddhist exhibition, a youth made off with a Tibetan banner on loan from a local family. Five years later, after the youth had developed into a career fencer, police recovered the banner from his small apartment. Also, in 1978, someone pinched Picasso's ''Flowers in a Blue Vase'' during a busy Sunday afternoon; the painting found its way back to the Gallery within three weeks.
The Gallery, though sited on the University of Rochester's campus, existed as a separate organization from the University until 1935, when Alan Valentine renegotiated the 1912 charter.
Today, the Gallery is supported primarily by its membership, the University of Rochester, and public funds from Monroe County and the New York State Council on the Arts.

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